‘TO CHANGE THE RESULT, YOU MUST CHANGE THE APPROACH’. THE COLLECTIVE MANAGEMENT HEADACHE IN KENYA.

Today’s focus shall concentrate on a letter written by one Mr. Bernard Kioko to the Cabinet Secretary for the Ministry of Youth Affairs, the Arts and Sports, demanding accountability for the mismanagement of his royalties from CMOs operational within the music industry in Kenya i.e. PRISK (Performers Rights Society of Kenya), KAMP (Kenya Association of Music Producer) and MCSK (Music Copyright Society) Bernard’s letter reads in part: “I am a music business owner who owns music copyright in partnership with over 200 Kenyan artists and music business people. In total, our catalog of songs spans over 2000 songs. Over the last 10 years, some of our songs have been the biggest in the country and have received immense radio and tv play. Despite this, we have not received royalties from the songs” His letter then goes on to state that upon his inquiry to KECOBO for royalties statements for royalties collected by CMOs between the years 2014 to 2021, that he managed to procure a breakdown of royalties collected; a breakdown that paints a grim reality for the future of distribution of music royalties in Kenya.

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Azimio Coalition’s use of the Sauti Sol track ‘Extravaganza’.

The essence of the track ‘Extravaganza’ that premiered on the 28th of May 2019 essentially captures the soul and spirit of the ‘ Kenyan life of the party’. The witty, authentic and heavily Kenyan-infused lyrics are undisputable attention grabbers, because if you think about it – ‘wakaita makanjo, kumbe sisi ndio huwalipa salo’ is genius! But alas, this piece today is neither centered on the go-about of nighttime revelers, nor is it a critique of the aesthetics that are inherent in music. Bluntly, I am writing this article against the backdrop of a recent unveiling of a presidential candidate…

Continue ReadingAzimio Coalition’s use of the Sauti Sol track ‘Extravaganza’.